The advent of modernity essay

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The advent of modernity essay

Hegel and the advent of modernity A social ontology of abstraction Abstraction is a bitter chalice but modernity must drain it to the dregs and reeling in simulated inebriation, proclaim it the ambrosia of the gods.

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Henri Lefebvre, Introduction to Modernity Bitter abstraction. In which the distance between cause and effect is developed with the aid of weaponry and mathematics to produce morbid symptoms in the economy, environment and the use of force.

The advent of modernity essay

And, finally, what is the peculiar connection that Hegel establishes between the notion of abstraction and the advent of modernity? Heinrich Heine, a devoted pupil of Hegel, mentions him several times throughout his Confessions Among his memories, one is particularly telling with regard to the theme of this article: But the master grumbled to himself: In fact, I do rate what is concrete higher than what is abstract, and an animality that develops into no more than a slime, higher than the starry host.

Moreover, that a stubborn and acute upholder of the concept should express such a manifest inclination for concreteness may appear somewhat surprising. In fact, under the notion of abstraction Hegel labels a wide range of theoretical configurations and socio-historical phenomena: However, from Jena in onwards, Hegel distances himself from his previous Romantic denunciation of the ruinous consequences of abstraction to embrace a rigorous speculative criticism of abstract thinking as it is embodied in the philosophies of his contemporaries and predecessors.

Nonetheless, even in his mature works, Hegel never fully defines abstraction as such, nor does he explain unequivocally the significance of this polysemous notion, which appears in his writings in varying and sometimes even opposed senses.

The advent of modernity essay

Hegel generally assigns abstraction a negative sense, but not always. As has been noted, Hegel was the first to unsettle the historical divide between the abstract and the concrete traditionally identified with the speculative and the empirical, respectively. This is why Marx in the Grundrisse actually attributes to Hegel the fallacious assumption that concreteness simply stems from thought, as noticed earlier.

For Hegel, indeed, the concrete occurs only in the form of totality and, in regard to this, he is careful to distinguish the concrete from the immediate: Upon a closer examination of his texts, one could remark that for Hegel not all that is finite is abstract and not all that is abstract is false.

Along the same lines, Eric Weil argues: On the contrary, it indicates that it is indispensable — thought incomplete — in every respect. It is an essential element figuring in the comprehensive account of the development of the concept, and this account will have to, as Hegel says, aufheben the abstract quality, which means to abrogate it, but only in the sense of abrogating what is abstract in it in order to preserve it by sublimation and thereby give it its positive function in the organised totality of Reason.

Once again the particular is not abstract because of its partiality, but only because of its ungrounded and accidental pretension to be universal. The main consequence that arises from this unilateral self-positing of a particular determinacy is the necessity of its reversal. Genealogical retrospection sheds light on the asymmetrical solutions that Hegel provides in order to overcome theoretical abstraction or abstraction in thought through the invention of the standpoint of consciousness in the Phenomenology of Spirit and to accommodate social abstraction or abstraction in the socio-economic sphere within the framework of his newly-emergent philosophy of Spirit Geist.

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On the one hand, we are seemingly living on the pinnacle of comfort and happiness; on the other, modern life is fraught with the many . The Advent of Modern means of Communication Communication has always been critical to the establishment and maintenance of power over distances. Steve Davies’ essay suggests just how much integrative work historians have left to do.

Decades after the advent of cliometrics, we have yet to square quantitative history with the older ideas-and-statecraft methodology.

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Modernity and Anti-modernity in Stoker’s Dracula Present research paper seeks to provide the analysis of modernity’s and anti-modernity’s reflection in Stoker’s masterpiece Dracula, which was created in the end of Victorian era in England.

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